TEN THINGS YOU DIDN'T KNOW ABOUT CHRISTMAS

While you're busy wrapping gifts and preparing to feast with family and friends, TIME brings you these bizarre Christmas facts to ponder.

A Very Merry Un-Birthday?

Contrary to popular belief, the Bible doesn't actually mention a specific date for Jesus' birth. In fact, most historians believe he was probably born in the spring, hence the Bible's description of shepherds herding animals. But in the 4th century, when the Catholic Church decided to recognize Jesus' birth as an official holiday, Pope Julius I chose December 25 for the Feast of the Nativity. That the date happened to coincide with the pagan festival known as Saturnalia must have been pure coincidence.



War on Christmas

Five months into the first World War, troops along the Western front took a Christmas Eve break from fighting to sing carols to one another across the battlefield. The following morning, German soldiers emerged from the trenches and began to approach Allied troops while calling out "Merry Christmas" in English. Luckily, it wasn't a trick; dozens of British fighters came out to greet them and shake hands, some even exchanging cigarettes as gifts. Later dubbed the Christmas Truce of 1914, it was one of the last examples of wartime chivalry.

Christmas in the Colonies

From 1659 to 1681, showcasing one's holiday spirit in Boston could cost you a fine of as much as five shillings. That's right — Christmas used to be illegal. It's somewhat surprising, then, that the same puritanical minds also created the first American batch of eggnog at Captain John Smith's 1607 Jamestown settlement. (The word nog comes from the word grog; that is, any drink made with rum.) Christmas was so inconsequential in early America that after the Revolutionary War, Congress didn't even bother taking the day off to celebrate the holiday, deciding instead to hold its first session on Christmas Day, 1789. It took almost a century for Congress to proclaim it a federal holiday.

Xmas Lit 101

The author best known for creating the Headless Horseman also created the iconic image of Santa flying in a sleigh. In his 1819 series of short stories The Sketch Book of Geoffrey Crayon, New York native Washington Irving described a dream in which St. Nicholas soared across the sky in a weightless wagon. The stories became so popular, they spawned a Christmas revival of sorts in the States, and even Charles Dickens is said to have credited Irving's work for inspiring his classic holiday tale A Christmas Carol.

What Advertising Hath Wrought

Like the Energizer Bunny, Rudolph the Red-Nosed Reindeer got his start as an advertising gimmick. A copywriter named Robert L. May first created the merry misfit in 1939 to lure shoppers into the Montgomery Ward department store. Frosty the Snowman and his famous corncob pipe couldn't escape the clutches of the advertising industry either; a whiskeymaker in 1890 used Frosty's likeness to showcase an entirely different kind of holiday cheer. Once Prohibition ended, the chain-smoking snowman quickly became the go-to guy for alcohol ads, appearing in posters for Miller beer, Jack Daniel's, Ballantine ale, Rheingold beer, Schlitz beer, Schenley, Oretel's lager beer, Chivas Regal scotch, Fort Pitt pale ale, Mount Whitney beer and Four Roses.

NASA's Christmas Sighting

In 1965 two astronauts on their way back to orbit spotted something in space they couldn't identify. Frantic, they radioed Mission Control. After several minutes of tense silence, engineers at Cape Canaveral began hearing the faint jingle of sleigh bells followed by a harmonica rendition of "Jingle Bells" ... played by none other than the two "frantic" astronauts. The men later donated the harmonica and bells to the National Museum of Space & Aeronautics in Washington, where they now sit on display.

Kiss Me; I'm Celtic

According to Celtic and Teutonic legend, mistletoe is magical — it can heal wounds, increase fertility, bring good luck and ward off evil spirits. The tradition of kissing under the mistletoe didn't begin until the Victorian era, a surprising origin given the stuffy and sexually repressive behavior of the time. Actually, it's not very surprising at all.

O Tannenbaum!

Even before the arrival of Christianity, Germans decorated evergreen trees to brighten the dark, gloomy days of the winter solstice. The first "Christmas trees" appeared in Strasbourg in the 17th century and spread to Pennsylvania in the 1820s with the arrival of German immigrants. When Queen Victoria married Germany's Prince Albert in 1840, he brought the tradition to England. Eight years later, the first American newspaper ran a picture of the royal Christmas tree, and Americans outside Pennsylvania quickly followed suit.

Away in a Manger

Since the Great Depression, the Rockettes have shared Radio City Music Hall with live farm animals — from camels to donkeys to sheep — to stage a live nativity scene for its annual "Christmas Spectacular." But the world saw its first living nativity in 1224, when St. Francis of Assisi re-created the birth of Jesus to explain the holiday to his followers. During that first display, the manger was also used as an altar for Christmas Mass.

Feliz Navidad Around the World

Christmas traditions vary from culture to culture. Finns often visit saunas on Christmas Eve, while Portuguese revelers hold a feast on Christmas Day for the living and the dead (extra places are set for the souls of the deceased). In Greece, some believe that goblins called kallikantzeri run wild during the 12 days of Christmas, and most Greeks don't exchange presents until Jan. 1, St. Basil's Day. Thanks to their geographic location, most Australians and New Zealanders enjoy Christmas on the beach or at barbecues. Spain, meanwhile, hosts the world's largest lottery.

Signals Media Arts Centre has been the centre for independent filmmaking and media education in Essex for 25 years and is involved in a variety of community projects.

Visit our website www.signals.org.uk for more details.

Bruce Lee-Acting Career

            Bruce Lee (Chinese: 李小龍; born Lee Jun-fan; 27 November 1940 – 20 July 1973) was a Chinese American martial artist, Hong Kong action film actor, martial arts instructor and filmmaker. The founder of Jeet Kune Do, Lee was the son of Cantonese opera star Lee Hoi-Chuen. He is widely considered by commentators, critics, media and other martial artists to be one of the most influential martial artists of all time, and a pop culture icon of the 20th century. He is often credited with helping to change the way Asians were presented in American films.

Lee was introduced into films at a very young age and appeared in several films as a child. Lee had his first role as a baby who was carried onto the stage in the film Golden Gate Girl. By the time he was 18, he had appeared in twenty films.

            While in the United States from 1959 to 1964, Lee abandoned thoughts of a film career in favour of pursuing martial arts. However, a martial arts exhibition on Long Beach in 1964 eventually led to the invitation by William Dozier for an audition for a part in the pilot for "Number One Son". The show never aired, but Lee was invited for the role of Kato alongside Van Williams in the TV series The Green Hornet. The show lasted just one season, from 1966 to 1967. Lee also played Kato in three crossover episodes of Batman. This was followed by guest appearances in three television series: Ironside (1967), Here Come the Brides (1969), and Blondie (1969).

           At the time, two of Lee's martial arts students were Hollywood script writer Stirling Silliphant and actor James Coburn. In 1969 the three worked on a script for a film called The Silent Flute, and went together on a location hunt to India. The project was not realised at the time; but the 1978 film Circle of Iron, starring David Carradine, was based on the same plot. In 2010, producer Paul Maslansky was reported to plan and receive fundings for a film based on the original script for The Silent Flute. In 1969, Lee made a brief appearance in the Silliphant-penned film Marlowe where he played a henchman hired to intimidate private detective Philip Marlowe, (played by James Garner), by smashing up his office with leaping kicks and flashing punches, only to later accidentally jump off a tall building while trying to kick Marlowe off. The same year he also choreographed fight scenes for The Wrecking Crew starring Dean Martin, Sharon Tate, and featuring Chuck Norris in his first role. In 1970, he was responsible for fight choreography for A Walk in the Spring Rain starring Ingrid Bergman and Anthony Quinn, again written by Silliphant. In 1971, Lee appeared in four episodes of the television series Longstreet, written by Silliphant. Lee played the martial arts instructor of the title character Mike Longstreet (played by James Franciscus), and important aspects of his martial arts philosophy were written into the script.

             According to statements made by Lee, and also by Linda Lee Cadwell after Lee's death, in 1971 Lee pitched a television series of his own tentatively titled The Warrior, discussions which were also confirmed by Warner Bros. In a 9 December 1971 television interview on The Pierre Berton Show, Lee stated that both Paramount and Warner Brothers wanted him "to be in a modernized type of a thing, and that they think the Western idea is out, whereas I want to do the Western". According to Cadwell, however, Lee's concept was retooled and renamed Kung Fu, but Warner Bros. gave Lee no credit. Warner Brothers states that they had for some time been developing an identical concept,created by two writers and producers, Ed Spielman and Howard Friedlander. According to these sources, the reason Lee was not cast was in part because of his ethnicity, but more so because he had a thick accent. The role of the Shaolin monk in the Wild West, was eventually awarded to then-non-martial-artist David Carradine. In The Pierre Berton Show interview, Lee stated he understood Warner Brothers' attitudes towards casting in the series: "They think that business wise it is a risk. I don't blame them. If the situation were reversed, and an American star were to come to Hong Kong, and I was the man with the money, I would have my own concerns as to whether the acceptance would be there".

              Producer Fred Weintraub had advised Lee to return to Hong Kong and make a feature film which he could showcase to executives in Hollywood. Not happy with his supporting roles in the United States, Lee returned to Hong Kong. Unaware that The Green Hornet had been played to success in Hong Kong and was unofficially referred to as "The Kato Show", he was surprised to be recognised on the street as the star of the show. After negotiating with both Shaw Brothers Studio and Golden Harvest, Lee signed a film contract to star in two films produced by Golden Harvest. Lee played his first leading role in The Big Boss (1971) which proved to be an enormous box office success across Asia and catapulted him to stardom. He soon followed up with Fist of Fury (1972) which broke the box office records set previously by The Big Boss. Having finished his initial two-year contract, Lee negotiated a new deal with Golden Harvest. Lee later formed his own company, Concord Productions Inc. (協和電影公司), with Chow. For his third film, Way of the Dragon (1972), he was given complete control of the film's production as the writer, director, star, and choreographer of the fight scenes. In 1964, at a demonstration in Long Beach, California, Lee had met Karate champion Chuck Norris. In Way of the Dragon Lee introduced Norris to movie-goers as his opponent in the final death fight at the Colosseum in Rome, today considered one of Lee's most legendary fight scenes and one of the most memorable fight scenes in martial arts film history. The role was originally offered to American Karate champion Joe Lewis.

                  In late 1972, Lee began work on his fourth Golden Harvest Film, Game of Death. He began filming some scenes including his fight sequence with 7'2" American Basketball star Kareem Abdul-Jabbar, a former student. Production was stopped when Warner Brothers offered Lee the opportunity to star in Enter the Dragon, the first film to be produced jointly by Golden Harvest and Warner Bros. Filming commenced in Hong Kong in February 1973. One month into the filming, another production company, Starseas Motion Pictures, promoted Bruce Lee as a leading actor in Fist of Unicorn, although he had merely agreed to choreograph the fight sequences in the film as a favour to his long-time friend Unicorn Chan. Lee planned to sue the production company, but retained his friendship with Chan. However, only a few months after the completion of Enter the Dragon, and six days before its 26 July 1973 release, Lee died. Enter the Dragon would go on to become one of the year's highest grossing films and cement Lee as a martial arts legend. It was made for US$850,000 in 1973 (equivalent to $4 million adjusted for inflation as of 2007). To date, Enter the Dragon has grossed over $200 million worldwide. The film sparked a brief fad in martial arts, epitomised in songs such as "Kung Fu Fighting" and TV shows like Kung Fu.

             Robert Clouse, the director of Enter the Dragon and Golden Harvest revived Lee's unfinished film Game of Death. Lee had shot over 100 minutes of footage, including out-takes, for Game of Death before shooting was stopped to allow him to work on Enter the Dragon. In addition to Abdul-Jabbar, George Lazenby, Hapkido master Ji Han-Jae and another of Lee's students, Dan Inosanto, were also to appear in the film, which was to culminate in Lee's character, Hai Tien (clad in the now-famous yellow track suit) taking on a series of different challengers on each floor as they make their way through a five-level pagoda. In a controversial move, Robert Clouse finished the film using a look-alike and archive footage of Lee from his other films with a new storyline and cast, which was released in 1978. However, the cobbled-together film contained only fifteen minutes of actual footage of Lee (he had printed many unsuccessful takes) while the rest had a Lee look-alike, Kim Tai Chung, and Yuen Biao as stunt double. The unused footage Lee had filmed was recovered 22 years later and included in the documentary Bruce Lee: A Warrior's Journey.

            Apart from Game of Death, other future film projects were planned to feature Lee at the time. In 1972, after the success of The Big Boss and Fist of Fury, a third film was planned by Raymond Chow at Golden Harvest to be directed by Lo Wei, titled Yellow-Faced Tiger. However, at the time, Lee decided to direct and produce his own script for Way of the Dragon instead. Although Lee had formed a production company with Raymond Chow, a period film was also planned from September–November 1973 with the competing Shaw Brothers Studio, to be directed by either Chor Yuen or Cheng Kang, and written by Yi Kang and Chang Cheh, titled The Seven Sons of the Jade Dragon. Lee had also worked on several scripts himself. A tape containing a recording of Lee narrating the basic storyline to a film tentatively titled Southern Fist/Northern Leg exists, showing some similarities with the canned script for The Silent Flute (Circle of Iron). Another script had the title Green Bamboo Warrior, set in San Francisco, planned to co-star Bolo Yeung and to be produced by Andrew Vajna who later went on to produce First Blood. Photo shoot costume tests were also organized for some of these planned film projects.

Character on Camera (age 12+)

Playroom Productions invites you to join our unique two-day workshop. Do you long to be a screen star? Do you have a character you want to become? Now is the chance to fulfil your dreams! In two days you will write, perform and produce your own short film. This is a fun, creative workshop using improvisation and green screen filming to help you to bring out your inner film star. This workshop is taught by Deborah Roome. Deborah trained at the Guildhall School of Music and Drama and worked extensively, under stage name Deborah Popett, in TV and Theatre; including leads in West End musicals. She is now a primary school teacher.

You can book online through our website (www.signals.org.uk booking fee applies) or you can save the booking fee and call Signals direct on 01206 560255

Amazing Stop Motion Animations

Have you wondered what stop motion animation means? It is an animation technique to make an object seem to move on its own by moving the object in small increments between individually photographed frames. When put together as a sequence the frames create the illusion of movement. It is basically the modern version of drawing on the corner of your notebook sheets and then playing with it. 

Well, as a digital media organisation, we focus on technology, not on notebooks. :) 

Therefore two of our children workshops are based on stop motion. We have 'Claymation' for the younger, 7+ aged, kids, and 'Stop Motion Animation' for young people 12+ years old.

One of the most famous film directors has started developing his talent at the same age as our talented young filmmakers. Tim Burton was only 13 years old when he created the stop motion animation 'The Island of Doctor Agor' in his backyard on Evergreen Street. The significant animation Corpse Bride (2005) is his first full-length stop motion animation. 

Today we are going to show you three unique stop motion animations that have revolutionised the world of digital media. 

In 2010, a film about the adventures of a 9mm girl called Dot, living in a microscopic world, became the world's smallest animation at that time. New technology combined with a lot of creativity and imagination produced this amazing film.

The teeny-tiny movie is created by Sumo Science at Aardman and shot with a CellScope, invented by Professor Fletcher. For the purpose of the animation, 50 different versions of the main character were created with a 3D printer. 

If you are amazed by this animation, wait to see the next one. 

The researchers of IBM had entertained themselves at work by creating a movie made with atoms. Yes, you read it right! 'A Boy And His Atom' really is made by moving atoms and therefore it is now The World's Smallest Stop Motion Animation. It is so small that it can be seen only when it is magnified 100 million times. 

An animation called 'Entropy' made for IdN magazine by Physalia is created by shooting 2,000 photographs of different water drops and combining them in a video. 

You can learn more about the process of making it and see the video here. 

The team was inspired by Markus Reugels' stunning photographs of the Earth in water drops. 

We, Signals Media Arts Centre, also have quite a few animations to show off with. The children attending our workshop has amazed us with their creativity and talent. We are very proud of them! 

You can watch the animations made during our latest Stop Motion Animation workshop here and tell us what you think! : )  

www.signals.org.uk 

First Light Awards Excitement

The short film 'Time Report' is one of the nominees for Best Film by Under 12s at the First Light Awards 2013. It is a creation of the children from Perryfields Junior School in Chelmsford, made with the support of Signals Media Arts Centre and the professional filmmakers Emma Curtis and Jane Gull.

Young talents who took part in the First Light projects aiming at people from disadvantaged background will have the chance to receive a recognition by the film industry and a platform to showcase their work.

The ceremony this year is in The ODEON, Leicester Square, London on 19th March. Every year it is attended by prominent people from the film industry and celebrities. Judges include Matt Smith, Martin Freeman and Sir Alan Parker.

'Time Report' is a great illustration of the children's talent, hard-work and creativity. The film offers an interesting look at global warming and is a combination of the young filmmakers' interests in environment and time travel. 

This is Jacob amazed at the UBC television studio gallery. 

“The Young Filmmakers created and preformed interesting characters, props and costumes were made during lunch time sessions. This film really expresses the group creativity. They worked very hard to achieve a complex film and there are some truly lovely moments in it.”

Lisa Wright Signals Education Co-ordinator and project Tutor

This project was Supported by First Light & the Earnest Cook Trust.

Video games - harming the children - A MYTH!

There is a general opinion that video games have negative effect on children. Some people claim that they make children obese and violent. But is that really true? First of all putting all video games in one box is certainly wrong. Although there are games that consist violence, there are many with non-violent content.

In a recent study by the Education Development Centre, they found out that video games can actually improve literacy skills in young children. The Federation of American Scientists says "the success of complex video games demonstrates that games can teach higher-order thinking skills such as strategic thinking, interpretative analysis, problem solving, plan formulation and execution, and adaption to rapid change". A study conducted by the McGill University's Department of Psychology proves that when completing a difficult puzzle or a getting through a hard maze, the child's confidence boosts.

It seems that video games are not bad at all! This is why on February, 18, Signals is offering a fun and practical game making workshop! The participants will have the chance to create their own characters and game environment, and then build their own video game on a user-friendly software. It is a great way to develop new skills while having fun!

Time Report - Filming in the Set

Last week was very exciting here at Signals as we constructed an amazing futuristic TV Studio gallery in our workshop space! It's taken many weeks for the children at Perryfields Junior School to collect all sorts of recycled bits and bobs and turn them into wall panels and boards for our TV Show gallery. It took two days for the set to be put together and we think the final result looks fantastic!

Four children from the Time Report group were asked to come to Signals on Tues 17th Jan and film some of the last scenes for their film about a news show set in a space station 80 years in the future. The children were Jacob, who plays 'Trent', the ever-exasperated director, James, who plays 'Sparky' our trusty technician and Lewis, whose character 'Max' is our news anchorman. Jack (who is James' twin brother) was also asked to come along and be our camera op for the day and got some great close ups of Sparky tinkering around with the set.

Below are Lewis and Jack who were setting up where Trent the Director would be sitting. We used an old edit suite as the control panel which Trent uses to cue up different clips and adjust sound levels. The idea of using old equipment came from the children who decided that in the future, we will have run out of oil to make plastics. Therefore, all technology will have to be run on old machines that have been upgraded.

The children worked really hard to get all the shots done in time and we all had a lot of fun building and filming in the set. We only have two more sessions of Time Report now to:

• Film any last minute 'pick up shots',
• Record the sound for 'Bubbles' (the pike that lives in the filthy River Thames during the Industrial Revolution)
• Record the sound for the Seagull that lives on the rubbish tip.
• Put together an 'assembly edit' or 'rough cut'
• Complete post production on the green screen sequences, add VFX and SFX

So there's still a lot of work to do!

See you on Tuesday 24th Jan everyone!

Green Screen Test

We recently completed our 8th session of Time Report with children from Perryfields Junior School and filming is now well underway! Last week we posted a video of Craig who is acting the part of the Weather Reporter in our futuristic TV news show. We've been using green screen technology to place the actors into different scenes. We do this by filming the scene against a large green screen and lighting the shot in such a way as to get rid of any shadows. We also have to gaffa tape the green screen so it's really taut, meaning no wrinkles or creases on the green fabric. In post production, we then take out the green background and replace it with video footage or a stock image so it looks like the actor is actually in that scene (though they haven't actually left the classroom!)

We've knocked up a very rough test using the green screen function in iMovie 11 so that you can see how the video we posted last week of Craig as the Weather Reporter might look in the final film (make sure you watch it in 720p). The new version of iMovie makes this so simple to do, we'll be training up our group of young filmmakers so they can do this themselves!

Cool? We think so!

We've also been filming the exterior scenes of the school where our roving Time Reporter Zara (played by Sofia) interviews a school child, Kurt (played by Kurt) about the earth's ecological problems in 2012. Remember, our film is set in 2092 so Zara's costume is made out of left over bits and bobs including a rather fetching hat made of carrier bags.

What's the weather like?

Yesterday was our 7th session of Time Report and we filmed all of the scenes with the Weather Reporter. The part of the Weather Reporter is being played by Craig, who has Down's Syndrome. In our film, the Weather Reporter is sent to report on hurricanes in Norfolk in the year 2092. He also has to deliver his weather report in a blizzard and torrential rain! Yesterday was spent breaking up bits of polystyrene into tiny balls to look like snow. It took a very long time! We then filmed Craig against a green screen where we showered him with our fake snow, it was great fun for everyone but very messy! You can watch Craig's excellent performance here:

All the footage the children recorded yesterday will now be selected for the edit. Once the group have chosen all the clips they want to use, we will transform this footage in the edit program Final Cut Pro to take out the green background and replace it with a freezing, wintry scene. We'll then add arctic wind sound effects to complete the shot.

And if the current weather reports are anything to go by, we'll be able to film our own snowy backgrounds soon!

Time Report - Filming Begins!

Yesterday was our 6th session of our First Light Movies project, 'Time Report' at the Perryfields Junior School in Chelmsford, Essex. We have been working with children from the school to create an exciting film, 'Time Report', that's set in a futuristic TV studio and addresses issues of climate change and pollution.

The children have been working very hard with tutors Emma Curtis and Jane Gull to create the script, storyboard and make all the props and costumes. Yesterday morning was spent painting a giant dinosaur head for Dippy the Diplodocus, finishing off the news desk, sticking rubbish onto costumes and learning lines. Everyone is doing a terrific job of getting into their characters!

The afternoon was spent setting up the green screen and filming all the scenes with our TV news presenter 'Max'. The part is being played by Lewis who did a great job of remembering his lines and acting as a confident, serious news presenter.

The children have also been learning camera and production skills. They were quite surprised by how long it takes to film something and get it right, especially when they'd filmed all the scenes as a wide shot then realised they'd need to film the same scenes all over again, but this time as a mid shot! They also had to problem solve when it came to recording sound as there was a very noisy P.E class going on outside. Sofia and Jacob (pictured below) took it in turns to crouch below the desk and record Lewis speaking by using an H4 Sound Recorder. They also learnt about syncing sound and had lots of fun seeing who could clap the loudest!

We'll be filming more scenes again next week, this time with the Time Reporter (played by Sofia) and Dippy the Diplodocus (played by Sam). We're going to lend our office pot plants to help create a Jurassic landscape against the green screen, plus the school have a volcano we can use too. We'll keep you updated on how things progress with the project, but it's coming together very nicely.

Time Report Session Three

Yesterday, Emma and Lisa completed Session Three with our 'Time Report' film group at the Perryfields Junior School. It was one of our last pre-production sessions with the group, who have been designing how the characters, sets and props should look in their forthcoming film.

Here is a little video we made introducing you to some of the children in our group and their hard work:

This exciting project has been funded by First Light Movies. First Light works with young people from a variety of backgrounds, developing skills in media production. They identify and nurture talented young people and enable them to achieve their potential through targeted training activities. Working closely with industry partners, we are able to offer realistic progression routes for young people to find employment within the creative sector. First Light works with over 5,000 young people aged 5-25 every year providing opportunities to learn the craft of filmmaking from industry professionals (like Signals).

First Light Movies Studio Award 2011

Signals Media Arts Centre are thrilled to announce that we have secured funding from the national First Light Movies Scheme to work with three different groups of young people on exciting filmmaking projects. This year we will be working with:

Perryfields Junior School on a futuristic drama called 'Time Report' that looks at life on Earth through the ages.

Pupil Referral Unit, CSS Mile End, on a short film called 'Black & White' that explores the group's individual experiences in a film noir style.

Allsortz Group and Colchester and Ipswich Museums Service on a mixed animation film project focusing on the circus called 'Big Top' that will be made by young autistic people in Ipswich.

The groups will be working with professional filmmakers and tutors to learn creative and technical skills like scriptwriting, storyboarding, camera and sound recording and editing. The projects are due to start in a few weeks and will be finished by Spring 2012. We will be posting regular updates on our blog about the projects so watch this space!

This project is funded and supported by First Light Movies, which is a BFI initiative supported by the Lottery. You can find out more information about First Light on their website: http://www.firstlightonline.co.uk

Earlier this year, Signals worked with Perryfields students on a short animation project that explored the feelings of excitement and anticipation in the run up to the London 2012 Olympic games. We worked with Emma Curtis to create this short film and you can watch it here: